Archive for March, 2010

Canon 5D Mark II Cake

Wednesday, March 31st, 2010 No Commented

Last year we told you about this custom birthday cake designed as a Nikon D700 and now here's the inevitable Canon 5D Mark II version by Studio Cake. Our only question is: how many pixels per byte?

(Via Daily Front Row from Pretty Foods & Pretty Drinks.)

Canon-5D-markII-cake

Al Gore TV Challenges An Inconvenient Photographer

Wednesday, March 31st, 2010 No Commented

Ken Light, the San Francisco photographer who won a judgment in February against Al Gore's cable TV network for unauthorized use of an image, now has to fight to defend his rights again.

Current TV has appealed an order from a small claims court to pay Light $500 plus $88 in court costs for publishing a 1994 image of Texas death row inmate Cameron Todd Willingham. He was the subject of an award-winning New Yorker article that cast doubt on the evidence that led to his murder conviction and eventual execution. After the article appeared, Current TV downloaded and published Light's portrait of Willingham on its Web site without permission.

Light tried repeatedly to collect a retroactive license fee for the use. He was eventually rebuffed by a Current TV lawyer who told him in an e-mail that "the use of your photo was authorized under the legal doctrine of fair use."

Light said he sued in small claims court on a state law claim (unfair business practices) rather than charge copyright infringement in a federal court because small claims are easier, faster, and less expensive to prosecute.

Current TV has appealed to San Francisco Superior Court, where its lawyers will be able to mount a more vigorous defense against Light's claim. That will cost Current Media a lot more than simply paying the small claims judgment. But the media company has a self-interested principle to defend: the right to use news photos at will without permission, and without payment.

A trial date has been set for April 14.

This Month in Microstock – March 2010

Wednesday, March 31st, 2010 No Commented

Some interesting developments in the microstock market this month.

Website Redesigns

123rf did a substantial website redesign this month, as did Bigstock, both on the same day.  Both updates included new logos and Bigstock also included a minor name change.

Microstock Charts

Amos Struck and I launched Microstock Charts, a free service for microstock contributors to track and (eventually) benchmark their earnings and other metrics.  Amos later launched a handy news aggregator service called Microstock News, this time partnering with everyone’s favorite Italian microstock blogger, Roberto Marinello, of mystockphoto.org.

iSyndica adds Release Management

Well on the way to automating the entire submission process with a few key agencies, iSyndica released some handy tools to manage model and property releases. Log in to your iSyndica account to check it out.

Vivozoom Boosted Affiliate Program

The Vivozoom affiliate program commission increased from 5% to 15%, with recurring commissions for 1 year.

Fotolia Selling Free Photos

Fotolia added payment options to their free photo website PhotoXpress. Paying customers get higher download quotas for the free image collection, but also limited downloads of the “Premium Collection” – images from Fotolia. Subscription prices are slightly cheaper at PhotoXpress than at Fotolia.

New York Photo Festival Curators Release 2010 Exhibition Details

Tuesday, March 30th, 2010 No Commented

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© Marc Garanger

New York Photo Festival organizers announced the exhibition plans of curators Vince Aletti, Erik Kessels, Fred Ritchin and Lou Reed today.


Aletti, a writer and critic for The New Yorker and Photograph, who recently curated exhibitions at the International Center of Photography, is presenting an exhibition focused on the tradition of still life photography. Object Lesson, which Aletti says will pay tribute to Irving Penn, a master of the still life photograph, will feature work by Yanimi Nayar, Jiro Takamatsu, Jeff Bark, Bill Jacobson, Sharon Core, Laura Letinsky, Andrea Modica, Richard Learoyd, Sally Gall, Roy McMakin and Adam Bartos.

The exhibition curated by Erik Kessels, a publisher and curator who is also the creative director and founding partner of Amsterdam-based KesselsKramer communications agency, will explore the various ways artists are manipulating the photographic image in their work, while also questioning the influence of technology on image making now and in the future. Use Me, Abuse Me will feature the work of Ruth Van Beek, Batia Suter, Paul Kooiker, Lucas Blalock, Linus Bill, Renato Leotta, Gwon Osang, Marcel Gaehler, Eva-Fiore Kovacovsky, Claudia Sola, Asha Schechter, Joachim Schmid, Chantal Rens, Sanja Médic and Thomas Mailaender.

Educator, writer and former picture editor Fred Ritchin’s exhibition concerns how increased surveillance and the virtual world are influencing perception of the human body. Bodies in Question features the first U.S. presentation of Marc Garanger’s 1960 portraits of Algerian women, which were taken for identity cards under orders from the French Army. The exhibition also features the work of Benjamin Busch, Robbie Cooper, Luc Courchesne, Raphaël Dallaporta, Tina Enghoff, Jessica Ingram, Alexandre Maubert, James Pomerantz, Joseph Rodriguez, Linn Underhill, Deborah Willis, Michael Wolf and Lim Young Kyun.

Lou Reed, a photographer and former Velvet Underground frontman, is presenting a more personal, three-part exhibition that includes a video projection, a presentation of artist’s books, and a new photography and video installation by Doug and Mike Starn. Other artists included in Reed’s exhibition include Alice O'Malley, Antoine D'Agata, Carl de Keyzer, Daido Moriyama, Ed Van Der Elsken, Emi Anrakuji, Henry Darger, Ken Kitano, Lieko Shiga, Masuhisa Fukase, Miguel Rio Branco, Morton Bartlett, Naoki Ishikawa, Naoya Hatakeyama, Nicolas Wormull, Osamu Kanemura, Oto Gillen, Paul Kooiker, Sakiko Nomura, Scott Irvine and Sergey Bratkov.

These and other exhibitions and events will take place May 13–16 in the DUMBO neighborhood of Brooklyn, New York.

Remembrances Being Collected of Deceased Photojournalist A.K. Kimoto

Tuesday, March 30th, 2010 No Commented

A.K. Kimoto (1977–2010), a Japanese freelance photojournalist who had been based in Bangkok, Thailand, died suddenly last week according to friends and colleagues who have been in touch with PDN. The cause of death is not yet known. Kimoto had been on his way to Freemantle, Australia for FotoFreo Festival.

Photography was a second career for Kimoto, who, after leaving a career in information technology, did his first work on assignment in 2004 covering the Indian Ocean earthquake and tsunami. He was at work on a long-term project about Afghan civilians, and a selection of that work, which told stories of child opium addicts, received an honorable mention from the 2009 Unicef/GEO Photo of the Year competition.

Colleagues and friends are collecting remembrances of Kimoto here, and in a Lightstalkers thread, here.

$25k Photography Book Now 2010 Competition Announced

Monday, March 29th, 2010 No Commented

The call for entries for Blurb’s third annual Photography Book Now self-published book competition has been announced.

Darius Himes, a writer, consultant and acquiring editor at Radius Books, will again serve as lead judge in the competition. This year’s jury also includes:

Monica Allende, Photo Editor, London Sunday Times
David Fahey, Gallery Director, Fahey Klein
Michael Mack, Publisher, Steidl/Mack
Lesley Martin, Publisher, Aperture
Susan Meiselas, Photographer
Erin O’Toole, Assistant Curator of Photography, San Francisco Museum of Modern Art
Martin Parr, Photographer
Judith Puckett-Rinella, Senior Photography Editor, T: The New York Times Style Magazine
Brian Smith, Photographer

The grand prize carries a cash award of $25,000. In addition to other prizes, the grand prize book, and books by the finalists in three categories—fine art, editorial and photography portfolio—will become part of the permanent collections at ICP, the Annenberg Space for Photography, and the George Eastman House.

Submissions will be taken through July 15, 2010. Entry details can be found here.

Related: Rafal Milach Wins $25k in Blurb Book Competition

Center Announces 2010 Contest Winners

Monday, March 29th, 2010 No Commented

Center (formerly known as the Santa Fe Center for Photography), a non-profit organization that advances the photographic arts, has announced the winners of the 2010 Center’s Choice Awards, the Project Competition, and the first annual Project Launch contest.

The Center’s Choice Awards, which provide winners with publication and exhibition opportunities, are broken into three categories. The Curator’s Choice Award, judged by Roxana Marcoci, a curator in the Department of Photography at MoMA, went to Aaron Huey. Steven Beckley won the Director’s Choice Award, judged by Chris Bennett and Laura Valenti, respectively director and programs director at the Newspace Center of Photography. And Jamey Stillings received the Editor’s Choice Award, selected by New York Times Magazine picture editor Kathy Ryan and VII Magazine editor in chief Scott Thode.

Dana Popa won first place in the Project Competition for her series “not Natasha,” a project on Moldovan women who survived sexual slavery. Jurors for the $5,000 prize included Tina Kukielski, senior curatorial assistant at the Whitney, Nion McEvoy, the CEO of Chronicle Books, and Markus Seewald, photo editor at GEO magazine.

Sam Comen won the first ever Project Launch competition, which carries a $3,000 award to help the recipient complete a work-in-progress. The competition was juried by Debra Klomp Ching and Darren Ching, co-directors of Klompching Gallery (Darren is also PDN’s creative director). Comen’s project uses the visual language of commercial photography to document the Lost Hills section of California’s Central Valley, a small, agrarian, working class town.

Galleries of images from the competition winners, runners up and honorable mentions are viewable on Center’s Web site.

Longtime AP Photographer Marty Lederhandler Dies, Age 92

Friday, March 26th, 2010 No Commented

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AP Photo/Ed Bailey, Courtesy of AP

The Associated Press reported this morning that photographer Marty Lederhandler, who worked for AP for 66 years before retiring in 2001, died last night at age 92. He had suffered a stroke February 17. He passed away at Hackensack University Medical Center in Hackensack, NJ.


During his long career the New York native photographed presidents and world leaders, often while covering the United Nations. He was the only photographer to get a shot of Soviet Premier Nikita Khrushchev embracing Fidel Castro at the UN General Assembly in 1960.

Lederhandler photographed the allied invasion of Normandy on D-Day and the September 11 terrorist attacks. In and interview with CNN’s Walter Rogers in 2004, Lederhandler said that he was carrying two pigeons along with his Leica when he landed on Utah Beach on D-Day. The pigeons flew his film back to Dover, England, so the images could appear in the paper the morning after the invasion.

Talking about photographing tragedies like the September 11 terrorist attacks, Lederhandler said, “I let the camera absorb the tragedies, so it doesn’t get too close to me and effect me…. You’re there to record history, and that’s what you basically focus on.”

During his career as a photojournalist, Lederhandler also photographed celebrities, athletes, New York mayors and criminals.

A full obituary written by the Associate Press is available here.

The funeral service for Marty Lederhandler will be held Sunday, March 28 at 9:30am at:

Gutterman Funeral Home
402 Park St (corner of Passaic Ave)
Hackensack, NJ 07601
Ph: 800-522-0588

Friday Fun: Canon Mode Dial Laptop Decal

Friday, March 26th, 2010 No Commented

We'd don't want to tread into the always controversial waters of who makes the better cameras, Canon or Nikon, but when it comes to official (and unofficial) tchotchkes and collectibles lately, Canon's the hands-down winner.

First there was that 70-200mm Canon lens coffee mug that our readers went crazy over. And now an artisan at Etsy has created a vinyl decal of the Canon DSLR mode dial to lay over the Apple symbol on your MacBook or MacBook Pro.

Canon-mode-dial-laptop-decal

Pretty geeky for sure but your photographer friends will likely be jealous. (Though it's worth noting that the "green" dummy mode on the decal clearly marks this as a consumer DSLR dial replica.)

Unfortunately, last we checked Etsy, the $15 decal was sold out. Hopefully they'll restock soon before the Canon trademark police crack down on it.

(By the way, if you come across any cool Nikon collectibles, please leave a link in the comments below.)

(Via Gizmodo.)

Inside the Bigstock Redesign

Thursday, March 25th, 2010 No Commented

BigStock logoEarlier this month Bigstock introduced a major redesign of their website. New logo, new branding, new navigation, new tools and new search! It was not just a minor visual update. Let’s take a closer look.

What’s Cool About this Redesign?

BigStockPhoto old logoThe first and most obvious change is the visual re-design. The new look is more modern and professional. The navigation is easier and more logical. The new logo is modest in comparison to the glaring 80’s looks of the old logo.

The buyer interface is greatly improved with search results filling full browser width, primary actions highlighted on search result and image detail pages, and a logical advanced search processes with popups so buyers don’t lose their position when refining a search.

The submission process has been enhanced with a more logical flow, improved batch editing tools, and some nice shift-click & double click actions.

Significantly, a new API (buyer functions only) will open up selling opportunities beyond the website itself.

Two cool new blogs, separated for buyers and sellers, are also showing promise with content that demonstrates more than a token effort at blogging.

SEO is greatly enhanced, using methods that are now standard across microstock agencies. The image title and description now become the meta-title and meta-description in the page code.

The company has been renamed to Bigstock (with lower case ’s’), which is what everyone was calling them anyway. There was a short period during launch of the new site when the bigstock.com domain name was used. The old bigstockphoto.com redirected to bigstock.com. While consistent in branding, it meant the company lost all their SEO benefit so bigstockphoto.com was quickly switched back to the primary domain of the site.

As a bonus feature, we can now change our username, and easily, which wasn’t possible before (not that it’s visible on the site).

See the complete list of new enhancements on the new ‘upload’ blog for sellers.

What’s Missing?

While there were many significant enhancements to the design, structure and layout of the site, there’s still some aspects that photographers have come to expect from microstock agencies that are still missing from Bigstock:

Showing earnings on the sidebar or header like all other top agencies (except Shutterstock) would save us some clicking and save Bigstock some bandwidth. Bigstock say’s there are plans to update the visibility of earnings and improve the display of the details. This re-design was just the first step.

Model release management could show photos attached to each release and total earnings for each model. While most microstock agencies still don’t require new model releases for each shoot, the earnings data per release is a valuable metric.

The list certain doesn’t stop there, but this was a website redesign, and not a policy redesign. Bigstocks relatively weak affiliate program, clunky data reporting and the inability to remove files without going through support, would all be towards the top of the policy redesign list for most contributors. The company has lots of planned enhancements but is keen to hear from contributors about what they’d like. They recommend using the feedback@bigstock.com and support@bigstock.com email addresses for suggestions and concerns.

Redesign Strategy

The redesign is a direct result of Shutterstock’s acquisition of the company. This enabled teams to be combined and the intelligence from both companies to be shared.

It demonstrates an investment in the business and the brand, indicating that it won’t be closed down any time soon. Shutterstock had made in clear they planned to develop Bigstock, so it wasn’t a widely held concern, though confirmation is always welcome.

The new design places emphasis on the photos. There’s no elaborate designs, just a simple and clear website, highlighting great photography.

Including an API and enhancing SEO shows where the market is going and how critical technology is to success. Parent company Shutterstock is now the only agency among the leaders without an API (it’s still in development).

A new advertising campaign was launched at the same time of the redesign starting with Bigstock’s participation at SXSW. Some microstock contributors are reporting noticeable increases in sales performance already, which is hopefully a sign of improvement for the agency.

Search!

The search engine in the new site is substantially more sophisticated. It now supports Boolean operations AND and NOT, searching within search results, and algorithmic ‘variety’ in the search results. As the microstock market continues to become more competitive, delivering fast and workable search results becomes a bigger factor in customer retention.

In addition to these changes, tweaks to the algorithm (weighting of keyword relevance, popularity, editorial rating, etc) have substantially improved the balance of quality, relevance and “freshness” of the search results.

A Big Leap Forward

Clearly a lot of thought and work went into this update. It brings Bigstock closer to the more successful agencies in terms of branding and website experience. Let’s hope that combined with the boost in marketing and promotions it translates into higher sales volume.

What do you think about the redesign?

Have you seen Microstock Charts yet?