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Archives: 2010 June

Archive for June, 2010

Ask The Experts: How Do You Handle Workflow on Location?

Wednesday, June 30th, 2010 No Commented

ExpertMay3
Want tips on shooting on location, breaking into destination wedding photography, or managing your workflow on the go?  PDN and SanDisk have launched a new column, Ask the Experts, in which photographers share their expertise and answer questions from PDN readers about a variety of photographic problems. 

To start things off, Matt May and Suzanne Ricca are answering questions about workflow on the go. The duo behind Matthew May Photography have shot weddings and travel images in China, Europe, Mexico, the Dominican Republic and the Bahamas. They have a lot of experience capturing once in a lifetime shots under pressure, and they've learned how to deal with customs officials and airline baggage restrictions. 


Says May, "For overseas weddings, we team up to pair down the duplicates. For example, we might bring one 85mm lens instead of two, and share it. This saves us room that is needed for bringing additional computer gear that is required for overseas weddings -- extra hard drives, USB hubs, cables, etc, that is needed to make back-ups on location as opposed to a local wedding where we could drive home and do all this work that night."


To learn more about May and Ricca and see some of their location shots on our Ask The Experts page. To submit a question or talk to May and Ricca about the challenges of working on location, email editor@pdnonline.com. 


In coming months, Ask the Experts will be hosted by other members of the SanDisk Extreme Team known for their nature photography, portraiture, post-production retouching, and shooting under extreme weather conditions. 

Panasonic G2 Commercial Seemingly Shot with Canon 5D Mark II

Wednesday, June 30th, 2010 No Commented

Panasonic-G2-Canon-5D-commercial Oops!

Panasonic's PR department must be kicking itself for releasing this behind-the-scenes video of the making of a new commercial for the Panasonic Lumix G2.

Watch the clip below and you'll see the Canon 5D Mark II with Canon L-series glass being used frequently throughout the filming of the spot even though the G2 shoots 720p HD.

Truthfully, most consumers -- who this camera and the commercial are primarily aimed at -- aren't going to notice (or care) but camera geeks will and the behind-the-scenes footage is already turning up far and wide in the tech blog-o-sphere.

Doh!

UPDATE: Looks like the behind-the-scenes video has been removed. Wonder why.

(Via Photography Bay & CrunchGear)

Government-issued Press Credential Didn’t Stop Arrest, G20 Photog Says

Tuesday, June 29th, 2010 No Commented

Toronto-based photojournalist Brett Gundlock, who was arrested by police while photographing G20 protesters over the weekend, says his government-issued press credential was clearly visible to the officers who took him into custody on Saturday evening. A photograph taken by a Reuters photographer at the scene even shows his visible badge during the arrest, he says.

Gundlock also said he held the press badge up and pointed it out to police before he was wrestled to the ground and cuffed with zip ties.

After being charged with obstructing a peace officer and unlawful assembly, Gundlock and a colleague were released on bail. The conditions of Gundlock’s bail prevent him from attending or photographing protests until July 2, and he’s not permitted to go into downtown Toronto until Monday, July 4, he told PDN. He is scheduled to appear in court in August.

Gundlock added that seven photojournalists he knows were arrested or detained over the last weekend, when more than 900 demonstrators were detained. According to reports, the mass arrests are the largest in Canadian history.

Today Gundlock posted some of the photographs he took of the protests on his blog, here. They show violent protesters, vandals and looters, and include a photograph of a police cruiser on fire.

Related: Photojournalists Arrested in G20 Clash

Photojournalist and Filmmaker Win Settlement From London Police

Tuesday, June 29th, 2010 No Commented

A photojournalist and filmmaker received £3,500 ($5,280) each in an out-of-court settlement with the London police after the pair were prevented from documenting a protest at the Greek embassy in 2008, The Guardian reported today.

A film of the incident posted on the news organization’s Web site shows police grabbing photojournalist Marc Vallée’s camera and covering the lens of Jason Parkinson’s video camera. The journalists were then forcibly removed from the scene so they could not document the police’s treatment of the protesters, who were demonstrating against a police shooting

The settlement announcement comes on the heels of news from Toronto that a pair of photojournalists were arrested and held for 24 hours as police there rounded up people protesting at the G20 summit.

Obituary: Bill Hudson, Photographer of Civil Rights Protests, 77

Tuesday, June 29th, 2010 No Commented

Hudsondog
News photographer Bill Hudson, whose images of police brutality against civil rights protesters stirred national outrage, died June 24 in Jacksonville, Florida, the AP reports. He was 77. According to his wife, Patricia, the cause of death was congestive heart failure.


Born in Detroit, Hudson began working as a photographer for the Army during the Korean War, and then worked for the The Press-Register of Mobile, Ala., and The Chattanooga Times in Tennessee. He joined The Associated Press in Memphis in 1962. 

In May 1963, Hudson was in Birmingham when school children recruited by the Southern Christian Leadership Conference conducted  demonstrations to protest segregation in the city’s arrest of civil rights organizers. The local police, under orders from Commissioner of Public Safety Eugene "Bull" Connor, retaliated with police dogs and firehoses. Hudson's most famous photo shows a Birmingham police officer holding an African-American teenager, William Gadsen, by the arm as a police dog lunges at Gadsen's stomach.  The photo was published across three columns on page 1 of The New York Times and in other papers around the US. 

In her book Carry Me Home: Birmingham, Alabama, The Climactic Battle of the Civil Rights Revolution, journalist and former Birmingham resident Diane McWhorter refers to Hudson's photo nine times, according to the AP. She argues that the documentation of Bull Connor's  attacks on "school age witnesses for justice" stirred national outrage which helped lead to "the end of apartheid in America."
Hudson told McWhorter that his priority that day was "making pictures and staying alive.”

Hudson's wife told the AP that he was often attacked by people who did not want him to document the police's treatment of the protesters. "Sometimes people were throwing rocks and bricks at him,” she said. 

Hudson also photographed the civil rights demonstrations in Selma and elsewhere. He left AP in 1974 to join the United Press International wire service. 

He is survived by his wife and his sister, Sharon Garrison. 

(Photo © Bill Hudson/AP)


Photojournalists Arrested in G20 Clash

Monday, June 28th, 2010 No Commented

A pair of photographers working for Canada’s National Post were arrested over the weekend while documenting protests of the G20 summit in Toronto.

On Saturday night The National Post published a report that staff photographer Brett Gundlock and freelancer Colin O’Connor were detained by Toronto police while photographing protestors clashing with police. The report included a blurry photograph of Grundlock being wrestled to the ground by several officers in riot gear.

After spending 24 hours in custody on charges of obstructing a peace officer and unlawful assembly the two photographers were released on bail and recounted their experiences in an interview with the National Post.

"We were handcuffed. They emptied my wallet. I still don’t know what happened to some of our camera equipment," O'Connor said.


World’s Largest Digital Camera Scans the Heavens for Danger

Monday, June 28th, 2010 No Commented

The world’s largest digital camera is being used by astronomers and scientists to monitor various space phenomena, including possible "planet-destroying asteroids," according to National Geographic.

The camera is a critical component of the PS1 telescope in Hawaii, and is snapping images of the heavens every 30 seconds at a staggering resolution of 1,400 megapixels per photo.

The images are mapping areas in the sky “as large as 36 full moons – a view 3,600 times larger than the Hubble Space Telescope’s main camera.” A 300-dpi print of one of the images would cover half a basketball court. In a full day the camera captures enough data to fill 1,000 DVDs.

Killerasteroid The giant camera not only enables scientists to track near-Earth orbiting asteroids that have the potential to cause major damage if they were to impact the planet (according to Edo Berger, a professor with the Harvard-Smithsonian Center for Astrophysics, “It provides the best early-warning system we have”), but it also creates the potential for celestial discoveries previously unimaginable.

Scientists are now able to see objects that are ten times fainter than anything registered during previous surveys thanks to the technology the camera offers. Because of its stunning accuracy and sensitivity, scientists anticipate making many new breakthroughs.

“This will take us a long way along the path of charting the heavens, both in space and in time,” Berger said.

-- by Cameron Handley

Cannes Do: U.S. Agency Wins Outdoor Lion at Ad Fest

Thursday, June 24th, 2010 No Commented

Bestupid

New York-based advertising agency Anomaly has won an Outdoor Lion Grand Prix award for their campaign for denim and clothing company Diesel. Images for the campaign were shot by photographers Kristin Vicari, Melodie McDaniel and Chris Buck.

Anomaly are among a small contingent of American agencies earning recognition at the Cannes Lions International Advertising Festival this week, and they are the only U.S. agency to win a top prize in any of the awards categories thus far (awards announcements continue through Sunday).

The winning ads feature the tagline “Be Stupid,” with bold copy that makes pronouncements like, “Smart may have the brains, but stupid has the balls,” or, “Smart has the plans, but stupid has the stories,” or simply, “We’re with stupid.”

The ads espouse the idea that “stupid” people are in fact the most innovative, or at least that they have the most fun until personal injury makes them smarter.

Photographs of young people doing an array of humorous and ill-advised things—flashing breasts at a CCTV camera (see above); body-slamming each other; trying to fit too many people on bicycles; posing for photographs with wild animals—illustrate the point.

Subject of Iconic Eisenstaedt Photo Dies

Wednesday, June 23rd, 2010 No Commented

Edith Shain, who claimed to be the nurse embraced by a jubilant World War II sailor in the famous Times Square photograph by Life photographer Alfred Eisenstaedt, has died. She was 91, according to several news organizations reporting her death.

Eisenstaedt's photo shows the sailor clutching the nurse as he kisses her, and captures the joy of the nation over the end of World War II. But the identities of the two subjects has always been in question because the subjects' faces are obscured, and Eisenstaedt never got their names. Several women claimed to be the nurse in the photograph years later when Life magazine tried to identify the subjects.

Shain said in interviews before her death that she had gone to Times Square to celebrate the victory over Japan on August 15, 1945 right after finishing her shift at a New York hospital. She didn't know the sailor who grabbed her and kissed her, but she told the AP in a 2008 interview that "I didn't mind because he was someone who had fought for me."

Polaroid Collection Auction Raises $12.5 Million, Sets Record for Ansel Adams Sale

Wednesday, June 23rd, 2010 No Commented

The court-ordered auction of portions of The Polaroid Collection, which took place Monday and Tuesday at Sotheby’s, raised nearly $12.5 million for the company formerly known as Polaroid Corp. The funds raised in the sale will be used to settle debts with the bankrupt company’s creditors.

In the auction’s first session Monday evening, a buyer paid $722,500 for Ansel Adams’ “Clearing Winter Storm, Yosemite National Park,” which outstripped the previous record sale of $609,000 for an Adams photograph. More than 200 of Adams’ prints were sold in the auction.

Other notable sales included $290,000 for Chuck Close’s “9 Part Self Portrait”; $254,000 for an Andy Warhol self-portrait; $254,500 for Harry Callahan’s “Trees and Mist”; $194,500 for Lucas Samaras’ “Ultra-Large (Hands)”; and $146,500 for Imogen Cunningham’s “Unmade Bed.”

The Sotheby’s auction included only part of the collection—“the part of the collection that we felt had the most auction viability,” Sotheby’s photography expert Denise Bethel told reporters at a preview.

By the end of the third of four sessions, the sale had already exceeded $11 million, surpassing the high estimate of $10,774,200.

Some are sure to find the record price achieved for an Ansel Adams work sadly ironic since, it has been argued, the photographs in the collection should never have been put up for sale.

Some of the artists, most notably Chuck Close, under guidance from former magistrate judge Sam Joyner, were reportedly contemplating legal action to block the sale from taking place, believing it violated the terms of their donations to the collection. However no legal action materialized.

A Netherlands-based company is close to a deal to purchase a portion of the collection, 4,500 pieces, which has been housed at the Musée de l’Elysée in Switzerland since 1990.

PBE Corp. bankruptcy trustee John R. Stoebner will continue to seek a buyer for the works that aren’t being offered for sale in the Sotheby’s auction.

PBE Corp. became a victim of a $3.7 billion Ponzi scheme by Minnesota businessman Tom Petters, whose Petters Group Worldwide bought it in 2005. Petters was convicted last year of fraud and money laundering, a sentence he is appealing while serving a 50-year prison term.
            --Conor Risch

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